A
Game of Words
Skaldic Poetry: Dróttkvætt
By Pelayo of House Marchmount
Do you like word games? Does a
good pun tickle your fancy? Perhaps crossword puzzles, Scrabble, word search,
anagrams, secret codes, or word ladders? If any of these appeal, this article
describes a challenging word game that you might like.
Here’s how to play: pick a
theme for a poem, perhaps praise for someone you admire. Now write 8 lines of
poetry to express that theme, following a strict set of interrelated rules.
This can turn into hours of entertainment as you wrestle with rhyme,
alliteration, word choice, syllables, and stress (lots of it).
Some background: medieval
Scandinavian poets were called skalds.
They were often hired by kings and other notables to record their deeds through
praise poetry. Skaldic praise poetry primarily used a poetic form called dróttkvætt, which means “lordly verse”;
examples of this are found as early as 900 and as late as around 1400. Many of
the Old Norse sagas were written using this form. At the end of this article
are links to a few resources in case you become obsessed.
In this article, I’ll describe
the basic structure of dróttkvætt — hopefully enough for you to try writing
your own — and then present my first attempt, which I recited for THL Hans
Thorvaldsson in the recent Crown Tourney. These poems were meant to be read
aloud, so make sure you do that to hear how it sounds!
Some definitions:
Poems in the dróttkvætt form
have 8-line verses called stanzas.
Each stanza contains two 4-line half
stanzas. There should be a syntactic break at the end of the first half
stanza, such as the end of a sentence.
Alliteration is when two words begin with the same sound: hat and hard, stress and straight. All vowels are considered to
alliterate with each other: eager
and owl. Alliteration is sometimes
called front-rhyme, but in this
article I will refer to it as alliteration.
Rhyme is when two words end in the same sound: about
and flout, wield and congealed.
This is sometimes called end-rhyme,
but in this article I will use rhyme
and full rhyme.
Partial
rhyme or half rhyme is when two words end in the same consonant sound: boils
and feels. In this article, I
will use partial rhyme.
A trochee is a stressed syllable followed by an unstressed one: both hatred and fighter are trochaic, but consist is not.
A
kenning is a metaphorical phrase in
the spirit of a good pun. Some common examples: swan road means the sea, sky jewel means the sun, and feed the eagle
means kill enemies. Dróttkvætt and
other forms of skaldic verse almost always contain kennings, and being able to
come up with good kennings can save your skaldic bacon. (Ken you see the
similarities with puns?)
I find these websites helpful
when working on my poetic puzzles:
And now to the structure of
dróttkvætt. We’ll use the preferences of their Majesties Siegfried and Ragni as
a theme. They can be found here:
The theme I’ll pick is the good
taste of their Majesties. I might speak of beer, cider, period dance, and games
of chance, with perhaps a mention of Evander tasting ketchup as contrast.
Gluten-free food and drink are also possibilities. I don’t necessarily expect
to fit all those in, but I’ll make an effort. This dróttkvætt won’t be a
brilliant piece of art, but it should be enough to convey the rules.
My plan is to make the first
half-stanza about their drink preferences and the second one about their
entertainment preferences.
In a dróttkvætt stanza, each
line of poetry has 6 syllables, three stressed and three unstressed. Each line
ends with a trochee, but the stresses on the other syllables can be arranged in
any order. Here are two related lines; the three stressed syllables in each
line are in bold font:
Siegfried liked his lager
His Lady eyed cider
In dróttkvætt, the lines are
paired. The first line in each pair must contain both alliteration and partial
rhyme. Two of the stressed syllables must alliterate. Further, one of those two
alliterative syllables must be in the trochee at the end of the line. In the
example above, likes and lagers contain the alliteration, and the
partial rhyme happens in Siegfried and lager. The partial rhyme
can appear on any two of the stressed syllables.
In the second line of a pair,
the first stressed syllable must alliterate with the two alliterative syllables
in the first line, and two of the stressed syllables must rhyme. (There doesn’t
need to be alliteration within the second line.) In the example, notice that Lady (the first stressed syllable in the
second line) alliterates with likes
and lager, and eyed rhymes with cid(er). Unlike in some other poetry forms,
only the stressed syllables matter.
We’ll finish the current
thought (and thus the half stanza) with a ketchup discussion. In the first
line, we need alliteration and partial rhyme, then the second line, we continue
the alliteration and need a full rhyme:
Evander chose chance to
Chug some ketchup mugfuls
Those two lines took me over an
hour to construct. I wandered into food and dance metaphors and other possible
rhymes (for example, dance and chance) before coming back to my happy
ketchup place. This is not usually a quick game, much like an expert-level
Sudoku or the New York Times Sunday Crossword puzzle, this can take hours to
finish. (And my lines aren’t even perfect: the s sound at the end of the chance
doesn’t quite mesh with the plain n
in Evander. Ah, well.)
The remaining topics are
cheese, fruit, period dance, games of chance, and cards. After another hour of
work, here’s what I came up with. (Brace yourselves, it’s terrible poetry. Wretched, even. But it mostly follows the rules.
Surely you can do better?)
Siegfried liked his lager;
His Lady eyed cider.
Evander
chose chance to
Chug
some ketchup mugfuls.
Siegfried
tells a tale to
Extol
ace in the hole.
Walk
hole in the wall to
Wow
Ragni; take a bow.
Now that the drivel is out of
the way, here is the poem I wrote for Hans, who I fought for in the recent
crown tourney. See if you can pick up on the alliteration, rhyme, and partial
rhyme. Unlike the balderdash above, it contains a few kennings; some of the
kennings and other content are explained after the poem.
Here
stands Norseman, Hans of
House
of mine, a spousal
Oddity,
kin-aided.
Yggdrasil,
big world-tree.
Here
stand I, a herald,
Happy
freedman clapping,
Cheered
by faith of cherished
Charming
shield mate, arm-friend.
Muscled
tree trunk, trusted
Trickster
gift, with quickness
Brines
my long-tooth, bringing
Braveness,
calling ravens.
Sapling
shepherd, shaper,
Chef,
seamster, shy dreamer,
No, I
leave you never
My
knife is yours, life-friend.
Notes:
• Hans’ heraldry contains the
world tree.
• Freedman: my persona was
captured by Varangians (Hans and Baron Grom) and later freed.
• Trickster: Loki. Hans can be
difficult, but he’s always trustworthy.
• Long-tooth: my sword. Also,
I’m old.
• Ravens: thought and memory.
Also, part of household member Elanna’s heraldry.
• Sapling shepherd: Hans
watches the kids during the day.
• Shaper: woodworker.
Here are some good basic
overviews of dróttkvætt:
Master Fridrikr Tomasson, mka
Tom Delfs, has written a bunch of really cool articles about Old Norse-related
stuff. He wrote an article on dróttkvætt that thoroughly examines the form:
Thanks for the plug, Pelayo. A good article with some nice attempts at dróttkvætt. It's very difficult to get the rhythm right when writing dróttkvætt in English, due to the essentially iambic nature of the English language. When you write them in a trochaic language like Old Norse/Icelandic, things get easier. But, your work is fun to read. Thanks again. - Fridrikr
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